Bògòlanfini or bogolan (Bambara for "mud cloth") is a handmade Malian cotton fabric traditionally dyed with fermented mud. It has an important place in traditional Malian culture and has, more recently, become a symbol of Malian cultural identity. The cloth is exported worldwide for use in fashion, fine art and decoration.
In traditional bògòlanfini production, men weave the cloth and women dye it. The dyeing begins with a step invisible in the finished product: the cloth is soaked in a dye bath made from leaves of the n'gallama (Anogeissus leiocarpa, a tall deciduous tree native to the savannas of tropical Africa) that have been mashed and boiled, or soaked. Now yellow, the cloth is sun-dried and then painted with designs using a piece of metal or wood. The paint, carefully and repeatedly applied to outline the intricate motifs, is a special mud, collected from riverbeds and fermented for up to a year in a clay jar. Because of a chemical reaction between the mud and the dyed cloth, the brown colour remains after the mud is washed off.
In traditional Malian culture, bògòlanfini is worn by hunters and serves as camouflage, ritual protection and a badge of status. Women are wrapped in bògòlanfini after their initiation into adulthood and immediately after childbirth, as the cloth is believed to have the power to absorb the dangerous forces released under such circumstances.
Bògòlanfini patterns are rich in cultural significance, referring to historical events (such as a famous battle between a Malian warrior and the French), crocodiles (significant in Bambara mythology) or other objects, mythological concepts or proverbs. Since about 1980, Bògòlanfini has become a symbol of Malian cultural identity and is being promoted as such by the Malian government. It has become a popular Malian export, notably to the United States. There, it is marketed as "mud cloth", either as a symbol of African American culture or as a generically "ethnic" decorative cloth.






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